
By Gregory Clark, Illustrated by James Frise, May 4, 1935.
“Don’t,” said Jimmis Frise, “let us make the same mistake we made last year.”
“We made so many?” I inquired.
“I mean about arriving up in Algoma in such rotten condition. We spent half our fishing trip trying to get into condition to fish. Let’s this year get into good shape before we go, so we can enjoy the full week,”
“You’re right,” I admitted. “Holidays are so few and far between for us city people, we ought to go into training before entering the wilds. I remember that third day. The day we waded up the Agawa. I thought I was going to die about four o’clock.”
“We were in awful shape,” said Jim. “We had no right to go into the bush in such a helpless condition. Actually, you had to be carried by the guide.”
“I was not,” I protested. “He just lifted me over a few fallen trees now and then.”
“Anyway, you lay down at last and told us to abandon you to your fate; you remember that?” said Jim.
“You were pretty far gone yourself,” I accused.
“Don’t let us argue,” suggested Jim. “We both admit we were in poor shape. This year, we take a couple of weeks before we go to harden ourselves.”
“Walking is all we need,” I said. “Let us make a pact to start walking every night after supper, either for a short walk or a long walk, until we leave for Algoma.”
“Agreed,” Jim said.
So for a week, we walked, rain or shine. These last few rainy nights, we took short walks, briskly around three or four blocks, near home. On fine nights, we drove in the car out to the suburbs, and strode along the earth roads past the radish farms and amidst the little patched-up cottages of the market gardeners.
And the effect was wonderful. Our legs hardened. We lost a little of the pud-wud1. Our lungs flowed easier.
“Walking is wonderful,” said Jim, as we got in the car to seek out a new neighborhood. “I wish we could write something that would inspire people to walk. Why, I feel ten years younger as the result of this past week.”
“What’s more,” I pointed out, “we are seeing something of our own city. These market garden districts we have been tramping through. I have driven through them scores of times and never saw them. You can’t see anything from a motor car. Walking is the pace to which our eyes and minds are naturally attuned.”
“We could make these walking exercises both instructive and healthful,” said Jim. “Where will we go to-night?”
“Let’s go up to Forest Hill Village and see the beautiful homes,” I suggested.
“I say we go down town,” disagreed Jim. “Down in some of the foreign sections. I haven’t been through them for years and years. I wonder if they still call it St. John’s Ward?2“
“By jove, there’s an idea,” I applauded. “When I was a young police reporter, I used to know every nook and cranny of St. John’s Ward. Back in the days of Inspector Geddes and his merry men. They were cleaning up ‘the Ward’, as we called it then. They were raiding and busting in doors and hauling in wagon loads of screaming and kicking foreigners at all hours of the day and night. Those were the gay old days. But they cleaned it up.”
Music in the Old Ward
“You wouldn’t recognize it now,” said Jim. “It is all ladies’ dress shops.”
“I remember, when I was at Varsity,” I said, “no student would think of taking a short cut down town or home through the Ward after dark. He’d be slugged.”
“It’s a choice residential suburb now,” said Jim. “There are already down-town apartments rising in it. Fashionable people will soon be having apartments in the Ward and homes in the country, out by Brampton or Oakville.”
“Let’s go down and walk around there,” I said. “We want a walk. Let make it informative. Let’s walk through the Ward.”
So we parked on Bay St. and went for a smart walk up through a Chinese quarter and past new modern factories and mills, and bright newly renovated apartments where thirty years ago was a slum. We went through sections filled with crowds of foreigners, with hundreds of children romping in the evening; but all was happy and cheerful, and the foreigners sat on their front steps as if it were under their vine and fig tree.
“Thirty years ago,” I pointed out, “these people would not have been so secure and happy.”
“Every other house was a joint of some kind or another,” agreed Jim, who, as a young artist, used to have to come into the Ward to draw diagrams showing an X where the body was found.
It grew dark, and still we walked, with limbs now springy and tireless. We passed from district to district, where all was crowded but all was clean and orderly.
“I could walk up Algoma’s tallest mountain to-night,” said Jim. “How long have we been walking?”
“Forty minutes,” I said. “Let’s go for one hour. I feel like a young horse. I could whinny.”
Down dark streets, and up streets we never knew were in Toronto we strode.
“Psst,” said Jim, laying hold of my arm. “Music. Dance music.”
A bright, gay and mellow music smote the air.
“Jim,” I cried, do you know what that instrument is?”
“I hear fiddles,” said Jim.
“And a chimbalom3,” I cried. “Hear that mellow music like a very soft piano? That’s a chimbalom. It is a Hungarian or Bulgarian musical instrument. Like a xylophone, only with wires. The player uses two little round-headed hammers and plays on the wires. It’s lovely.”
We stood in the dark little street, listening.
“That’s some music,”, admitted Jim.
“It’s a Hungarian or Russian dance. Like a Polonaise,” I breathed. “And can that boy play the chimbalom!”
We walked slowly until we were abreast of the old house from which the music came. Violins, a mandolin or two, a concertina and the chimbalom throbbed a wild, thrilling dance melody onto the air. Men were going into the house. Other men were resting on the porch, smoking. Past the window shades, shadows came and went.
“Sounds to me like a country dance,” said Jim, kicking his feet in that funny little itchy way the farmers do when the dance first starts.
“There’s the thing to put us in condition,” I said. “I wish I knew how to do square dances.”
“They’re easy,” said Jim. “You just join a set and do what the others do. You could catch onto a square dance in about one try. Get a girl for a partner who knows the dance, and she’ll signal you what to do.”
Jim by now was taking little steps this way and little steps that way, raising his feet in a curious jerky way at the end of each run.
Queen of the Dance
“Now, you take this music,” said Jim. “It sounds foreign of course, but you could do a dance to it as perfectly as you could to ‘Little Brown Jug.’ For example.”
And there in the quiet street, to the music from the house, Jim began skipping forward and skipping back, balancing all, wheeling and turning, with a little bow at the end of the forward steps and a little kick at the end of the backward steps.
“See?” he cried. “Isn’t that swell?”
Suddenly, he made a grab at me and started swinging me around.
“Wheeeee!” he yelled.
Two of the men on the dark porch where the cigarettes glowed, came down and watched us.
When the music stopped, Jim, breathing heavily, stood back and laughed.
“Some music,” he said to the strangers.
“Why you no come in?” asked one of the men. He was a big good-looking foreigner. He had a fine gray suit on.
“You come in dance?” he asked. “She free. You no pay. You dance good. You come be my friend?”
“How about it?” asked Jim.
“O.K. with me,” I agreed.
“You be my friend,” said the foreigner, leading us up the walk.
The big old parlor and dining room had been thrown into a single dancing chamber. The halls and walls were crowded with hearty-looking people. I don’t know what nationality they were, but they were large and blondish, with broad faces and bright glittering eyes. And their big white teeth gleamed at us with friendship, when the gentleman who brought us in introduced us.
They made way for us along the wall. On the far end of the dining room, a platform had been rigged up and a sort of throne made of a chair with a bright striped drape over it. On this throne sat a rather magnificent young woman. She wore a white party dress. Her bright brass-colored hair was tied up strangely with ribbons. She had great competent hands resting on her large lap, and her brilliant light gray eyes surveyed the crowd eagerly, above brightly flushed cheeks.
“Queen of the May, I suppose,” I murmured to Jim.
The musicians were grouped below the throne, and the chimbalom, half the size of a piano, was presided over by a fierce moustached gentleman with a wild shock of hair, who appeared to be about to blow up. He waved his two little padded drum sticks. He gave a preliminary flourish across the strings. The loveliest mellow notes rang out and melted together in the air. Into the middle of the room leaped everybody.
“Just get in circle,” said our host.
“I don’t dance,” I said, abashed.
Jim got into the circle.
The music rang out. The fiddles sang, the chimbalom gave its wild haunting melody. The concertina whanged. And the room became a sea of bobbing, whirling figures.
The dance was really very simple. You took three steps forward, three steps back, whirled on your own axis, three times, with the middle finger of your right hand touching the crown of your head. That little gesture, with the hand held over your head and the finger lightly touching your crown, gave a strange element of grace to a dance that was otherwise very childish.
Three forward, three back, they went, then three times spinning, with the hand aloft. Then, each grabbing a partner, either lady or gentleman, it didn’t matter, they whirled three times in a tight embrace.
“That’s easy,” I said to myself.
After two minutes of it, I decided to act. Jim was getting far more exercise than I. Those hills of Algoma would not daunt me. Neither would this simple country dance from somewhere far over the sea.
I watched my chance and leaped into the circle. There was a little cry and murmur of applause as I leaped in. Many of them gave me perspiring smiles. Old Jim was opposite me.
“I’ll show him up,” I muttered.
I was fresh. I was full of pep. The three steps forward I took were not the shuffling steps they were taking. I pranced like a young bull. The three steps back, I stamped with every step. When I whirled, I went four times around, and my right hand was flexed with infinite grace over my head.
When the time came to whirl a partner, I whirled Jimmie, and he was dizzy when I let him go.
Wilder grew the music. Gayer and more bullish and masculine grew my dancing. So this was dancing? So this gay, leaping and light-footed stamping, this whirling and swinging, was dancing!
When with a final whoosh the music ended, I was the centre of an enthusiastic crowd, who shook my hands and patted me on the back. And the lady on the throne threw me a bunch of flowers she had been holding.
“You great dancer,” said our host, as we rested against the wall. “You have what we call ‘It’ in my language.”
Jimmie was breathless and delighted, “Boy,” he said, “we’re coming down here every Tuesday night. And can you dance! Say, you’re a revelation. Why didn’t you show this side of you before? You’d be a sensation up in the country.”
“Oh,” I said off-handed, “it’s just a case of letting yourself go.”
Again the chimbalom sang out its sweet warning. Again we danced, and again. Three dances we did, and with each dance, fewer dancers took the floor. The dances grew wilder and faster. After the second, Jim dropped out and stood along the wall with his friend, our host, chatting.
The third dance, only eight people were left on the floor; all men, and I was one of them. If I may say so, I was one of them in a very special sense. In fact, they were all watching me, even while they danced. With excited eyes, they observed my foot work, the height of my jumps, the crash of my feet landing flatly, yet muscularly, on the floor.
And swollen up in white splendor sat the young lady on the throne, with eyes for no other dancer but me.
“If she’s the judge,” I said to myself, “I get the prize.”
But as this last dance came to an end, the chimbalom player shouted something, and with one accord, the entire room suddenly leaped forward, and like in a grand chorus, they started dancing a last, final and hectic ecstasy.
I saw Jim whirling nearer and nearer.
And then he drew alongside of me, and delivered me a short, vicious and savage kick in the shins.
With a howl I fell to the floor, grabbing my ankle.
But the dancers never stopped. In a kind of triumph, they went right on dancing ignoring me except to look down on me with laughter and white flashing teeth and flushed faces.
I crawled to the side lines.
I started to crawl out the door. Jim came and took me under the arms and helped me up. We hobbled out on the porch.
“Jimmie,” I gasped, “of all the filthy, unforgivable things!”
“Listen,” said Jim, quickly. “This was a kind of May Day celebration. They call this the marriage dance. That girl on the throne is looking for husband. The best man gets her. The man that dances the best and the longest.”
“Jimmie!”
“When I heard that from our friend,” said Jim, “I just waded in and disqualified you. If you fall, you’re out.”
“Let’s,” I said, “get the heck out of here.”
“Shouldn’t we pay our respects to the company?” Jim asked.
“Let’s,” I said, “get the heck out of here!”
So with Jim holding my arm, we got the heck out of there.
Editor’s Notes:
- I’m guessing this means pudge or fat. ↩︎
- The Ward (formally St. John’s Ward) was a neighbourhood in central Toronto in the 19th and early 20th centuries. Many new immigrants first settled in the neighbourhood. ↩︎
- The cimbalom is a type of chordophone composed of a large, trapezoidal box on legs with metal strings stretched across its top and a damping pedal underneath. ↩︎







